Produced during an 8,800 kilometre road journey through Vietnam in 2013, this collection reflects my long-standing fascination with the country’s visual contradictions — where antiquity and modernity exist side by side in a constant state of transition.

Working instinctively and observationally, the photographs attempt to balance rhythm, light, geometry, atmosphere, and human presence in ways that move beyond straightforward documentation toward something more psychological and ambiguous.

VIETNAM CONTEMPORARY & THE MEKONG
Archival Pigment Print
Edition of 5